We found it was very successful, and there were no surprises when it came time for actual production because the composition of what you saw in the storyboards could translate directly to what we’d do in production. This is where we thought to introduce the idea of drawing the storyboards in the dome itself. Although nearly every scene was simply updated with better visuals, there was a sequence which we were able to re-imagine. With the Zeiss’ retirement drawing closer, we were tasked to make a digital version of this show. ![]() Our second show, Magic Tree House, is an adaptation of the original analog show we had here at Morehead Planetarium. ![]() We saw there was a challenge of how to draw a storyboard accurately for the dome and tried to illustrate it, however once production and animation started it was clear the boards were very limited and ultimately not very useful. This was our first show that we made, so our storyboards are closer to those for flat screens than domes. Among those changes has been our storyboarding. We have since learned from our mistakes starting out, and taken new steps to refining our processes to making dome shows. ![]() The one thing we did all had in common however was we had never done dome work. Jay, a designer and journalist Pete, a motion graphics and compositor and myself an animator. When our current team solidified at the very beginning of Morehead Production, we came from very different backgrounds.
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